Scunthorpe & North Lincolnshire Concert Society - Tabea Debus (recorder) & Alex McCartney (theorbo)

Presented by: Scunthorpe and North Lincolnshire Concert Society

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0	SCUNTHORPE: Outwood Academy Foxhills
P	Friday 13th March, 2020
N	7:00pm

Event information

Ode on an earworm

Until the 15th century music was predominantly an aural tradition. However, with the
invention of the printing press this tradition began to disappear. Still, some melodies are
innately memorable – why?

Anonymous: Lamento di Tristano
Gareth Moorcraft Ciacona – after Antonio Bertali, Tarquinio Merula Claudio Monteverdi
Anonymous: La Monica or Une jeune fillette
Pierre-Francisque Carroubel Spagnolette - from: Terpsichore, Musarum Aoniarum (Michael Praetorius, 1612)
Andrea Falconieri: La suave melodia, y su corrente – from: Il primo libro di canzone… (Napoli 1650)
Anonymous Vuestros ojos tienen d’amor – from: A Musicall Banquet (Robert Dowland, 1610)
Padre Antonio Soler: Fandango in D minor, R. 146
Freya Waley-Cohen: Caffeine
Anonymous: When Daphne did from Phoebus fly – with diminutions by Jacob van Eyck
John Dowland: The Earle of Essex Galiard, or Can she excuse my wrongs
Henry Purcell: Fairest Isle - from: King Arthur (Z. 628) and Orpheus Britannicus (London, 1698)
George Frideric Handel: Lascia ch’io pianga – from: Rinaldo (HWV 7b)
Jig – from: Siroe, re di Persia (HWV 24)
Francesco Geminiani: Auld Bob Morrice – from: An Introduction to Good Taste in Musick (London, 1749)
Pietro Castrucci: Sonata in D minor, op. 1 no. 10 Adagio, Allegro, Adagio, Allegro
Alessandro Marcello: Adagio – from: Concerto in D minor (ornaments: BWV 974)
Arcangelo Corelli: The Favourite Gigg in Corelli’s 5th Solo with Divisions by Sig. Cateni & Valentini




Debus is a charismatic virtuoso.
The Times / XXIV Fantasie per il Flauto CD / 2018

Only very rarely do we get the chance to encounter musicians in full artistic control and bestowed with a technical ability that makes you sit and listen in awe.
Early Music Review / XXIV Fantasie per il Flauto / 2018