Henry Grimes / Paul Dunmall / Roger Turner

Event information

Lengendary free jazz bass player Henry Grimes performs solo at Cafe OTO and in trio with Paul Dunmall (Saxophones) and Roger Turner (percussion).

HENRY GRIMES

Master jazz musician (acoustic bass, violin) HENRY GRIMES has played more than 4OO concerts in 24 countries (including many festivals) since 2OO3, when he made his astonishing return to the music world after 35 years away. He was born and raised in Philadelphia and attended the Mastbaum School and Juilliard. As a youngster in the '5O's and early '6O's, he came up in the music playing and touring with Willis "Gator Tail" Jackson, Arnett Cobb, "Bullmoose" Jackson, "Little" Willie John, and a number of other great R&B / soul musicians; but drawn to jazz, he went on to play, tour, and record with many great jazz musicians of that era, including Albert Ayler, Don Cherry, Benny Goodman, Coleman Hawkins, Roy Haynes, Lee Konitz, Steve Lacy, Charles Mingus, Gerry Mulligan, Sunny Murray, Sonny Rollins, Pharoah Sanders, Archie Shepp, Cecil Taylor, McCoy Tyner, and Rev. Frank Wright.

Sadly, a trip to the West Coast to work with Al Jarreau and Jon Hendricks went awry, leaving Henry in Los Angeles at the end of the '6O's with a broken bass he couldn't pay to repair, so he sold it for a small sum and faded away from the music world. Many years passed with nothing heard from him, as he lived in his tiny rented room in an S.R.O. hotel in downtown Los Angeles, working as a manual laborer, custodian, and maintenance man, and writing many volumes of handwritten poetry.

He was discovered there by a Georgia social worker and fan in 2OO2 and was given a bass by William Parker, and after only a few weeks of ferocious woodshedding, Henry emerged from his room to begin playing concerts around Los Angeles and shortly afterwards made a triumphant return to New York City in May, 'O3 to play in the Vision Festival.

Since then, often working as a leader, he has played, toured, and / or recorded with many of today's music heroes, such as Rashied Ali, Marshall Allen, Fred Anderson, Marilyn Crispell, Ted Curson, Andrew Cyrille, Bill Dixon, Dave Douglas, Andrew Lamb, Edward "Kidd" Jordan, Roscoe Mitchell, David Murray, William Parker, Marc Ribot, Wadada Leo Smith, and Cecil Taylor.

In the past few years, Henry has also held a number of residencies and offered workshops and master classes on major campuses, including Berklee College of Music, Buffalo Academy for Visual & Performing Arts, CalArts (with Wadada Leo Smith), Hamilton College of Performing Arts (with Rashied Ali), Humber College (Toronto), Mills College (with Roscoe Mitchell), New England Conservatory, the University of Gloucestershire at Cheltenham, the University of Michigan at Ann Arbor, and several other fine educational institutions.

He can also be heard on about a dozen new recordings, made his professional debut on a second instrument (the violin) at the age of 7O, has seen the publication of the first volume of his poetry, "Signs Along the Road," and creates illustrations to accompany his new recordings and publications. He has received many honors in recent years, including four Meet the Composer grants and a grant from the Acadia Foundation. He can be heard on more than 85 recordings on various labels, including Atlantic, Ayler Records, Blue Note, Columbia, ESP-Disk, ILK Music, Impulse!, JazzNewYork Productions, Pi Recordings, Porter Records, Prestige, Riverside, and Verve. Henry Grimes now lives and teaches in New York City.

PAUL DUNMALL

For 30 years Paul has carved out a reputation for himself and is now widely recognized as one of the most uncompromising and talented reed players on the International jazz/improvised music scene.Whether playing in Small or large groups, his musical sensitivity and imagination, combined with a powerful sound,make him one of the most distinctive improvisers playing today. He has performed with Alice Coltrane,Johnny Guitar Watson,Danny Thompson,LJCO, Mujician,and recently in a trio with Henry Grimes and Andrew Cyrille.

ROGER TURNER

Roger Turner is applauded for his precision and speed since he entered the London improvising scene in the 1970s. His restricted drum kit is extended by found objects to create a sound comparable to no other. He’s played with Evan Parker, Cecil Taylor, Otomo Yoshihide, Shelley Hirsch, Joëlle Léandre, Keith Rowe...

“Turner [used] brushes to create a wild spattering and scattering of sound from cymbal and snare, with sudden explosions from tom and kick drums. At times in this early passage he sounded like rain on a caravan roof, at others like a tool box in the back of a moving van” - Molloy Woodcraft, The Guardian