TINGEWICK: Village Hall

Friday 9th March, 2012

7:30pm

Event information

These guys played for us last September in Oxford as a full band. This time we can welcome back Willy Vlautin and Dan Eccles as a duo. They are supporting The Jayhawks on part of their latest tour, which takes in the UK and Germany.

Richmond Fontaine was formed in 1994 at Portland Meadows racetrack in Portland, Oregon as songwriter/vocalist Willy Vlautin and bassist Dave Harding pored over the racing form and talked music between races. Before long, Fontaine was a solid four-piece outfit with an avid fan-base in the US and abroad. In the 90’s Richmond Fontaine put out three albums on Cavity Search Records and garnered praise for their powerful blend of rock, country, punk and folk. Critics took notice of Vlautin’s story-based songs, which have often drawn comparison to the short stories of Raymond Carver and Larry Brown.

In 2002 the band launched El Cortez Records and began work on a trilogy of albums that would earn critical acclaim in the US and UK, across Europe and as far away as Australia. 2002’s ‘Winnemucca’ marked a departure for the band to a more introspective and acoustic-based style, broadening the band’s audience and catching the attention of critics. In 2004 Richmond Fontaine teamed with producer JD Foster (Richard Buckner, Calexico, Green on Red) on their lauded release, ‘Post to Wire’. Uncut named it Album of the Month and included it in their Top Five Albums of the Year, and Mojo called it a “must have Americana purchase”. Working again with Foster on 2005’s ‘The Fitzgerald’, the band again garnered rave reviews for this downbeat, stark, literary study of the working class American West. ‘The Fitzgerald’ also received Uncut’s Album of the Month, calling it “absolute perfection”, and Q Magazine called it “the most beautiful sad album of the year”.

Looking for a change of scenery, in 2006 Fontaine loaded up the van and drove to Tucson to record an album at the legendary Wavelab studio. JD Foster once again oversaw production on this collection of desert-inspired songs. Featuring guest appearances by Calexico’s Joey Burns and Jacob Valenzuela and Giant Sand’s Howe Gelb, ‘Thirteen Cities’ counter-balances Vlautin’s clean, narrative lyrics with an array of instrumentation, from piano and vibes to accordion and pedal steel, strings and horns. The album was lavished with critical praise: The Independent called Vlautin “the Dylan of the dislocated” and The Sun said “Vlautin’s one of the most compelling songwriters working today, compared equally to great American novelists like Raymond Carver or John Steinbeck and musicians such as Bruce Springsteen or Tom Waits.”

After a year sabbatical and the death of his mother, Vlautin emerged with a notebook of songs that would become ‘We Used to Think the Freeway Sounded Like a River’ (2009). A highly personal and intimate work, these songs are an inventory of love and loss, regret and pain, shot through with instrumentation that expresses a gauntlet of emotion with Fontaine’s highly evolved, hard to categorize signature style. Uncut gave it a five star review saying, ‘Raw, autobiographical brilliance’ and the Sunday Express called it, “A dreamy, reverb-laden masterpiece” – 5/5

To date Vlautin has published two more novels: Northline (2008), which was a San Francisco Chronicle Top Ten Bestseller, and Lean on Pete (2010), which won the Ken Kesey Award for Fiction and was Hot Press’s book of the year. In ten years Vlautin and Richmond Fontaine have produced seven albums, three novels, an instrumental soundtrack for a novel (Northline), two live recordings and an EP.

The Motel Life is currently in production to become a major motion picture starring Emile Hirsch, Stephen Dorff, Dakota Fanning and Kris Kristoffersen. The band’s latest album, ‘The High Country’ was released in September last year.