Name: Witches and Witchfinders: Sorcery and counterculture in the films of Michael Reeves
Start: 2018-10-17T19:00:00+01:00
Location: London Horse Hospital Colonnade

LONDON: The Horse Hospital

Wednesday 17th October, 2018

7:00pm

Event information

Best known for his savage tale of religious persecution Witchfinder General (1968), director Michael Reeves only completed three feature films in his short life. Despite this, he remains a hugely influential figure of 1960s British cinema, and a singular voice in the countercultural context of the time. Through his three films, Reeves offered a unique and contrary take on the dominant themes of the period, notably freedom and rebellion, which he strikingly framed, in all three cases, within stories of sorcery.

Indebted to Mario Bava’s Black Sunday (1960) and sharing its female star, Barbara Steele, Reeves’s first feature film, Revenge of the Blood Beast (1966), drops a hip young English couple into an Eastern European backwater steeped in legend and superstition. His following film, The Sorcerers (1967), locates witchery in contemporary London and connects it with the nascent psychedelic scene. With its tale of a young couple tormented by a spiteful witch hunter, Witchfinder General is no less permeated by contemporary concerns with generational conflict, oppressive authority and individual revolt, despite the fact that it is set in the 17th century.

To mark the 50th anniversary of the release of Witchfinder General, this talk will examine the sorcery theme that runs through Reeves’s work in relation to key countercultural ideas and place it in the context of other witch films of the period. It will show that under the cool, liberated, thrill-seeking, free-love, anti-authoritarian surface of the 1960s Reeves sees the dark side of the cultural revolution and reveals mankind’s eternal propensity for violence.