NIGHTSHIFT + MARY CURRIE & ROBERT SOTELO + ANNELIES MONSERÉ

0	LONDON: Upset the Rhythm @ The Lexington
P	Sunday 8th December, 2024
N	7:30pm

LONDON: Upset the Rhythm @ The Lexington

Sunday 8th December, 2024

7:30pm

Event information

Upset The Rhythm presents…

NIGHTSHIFT
MARY CURRIE & ROBERT SOTELO
ANNELIES MONSERÉ
Sunday 8 December
The Lexington, 96-98 Pentonville Rd, Angel, London, N1 9JB
7.30pm | £10

NIGHTSHIFT are a Glasgow music collective whose new album ‘Homosapien’ just came out on Chicago’s Trouble In Mind Records. Notably, the band has lost some members, gained a new member & shuffled some roles; former drummer Chris White (Spinning Coin) is now on guitar. His distinctive playing delivers a countrified energy that is central to the album, leading the song structures into more succinct and colorful places, matching the upbeat and playful nature the band has always drawn strength from, only more so now under his stylish approach. Primary vocalist & keyboardist Eothen Stearn’s lyrical gifts illuminate the group’s output with an optimistic urgency that is unmatched. On ‘Homosapien’ she wears her heart on her sleeve, but even in the song’s darkest moments, the words create a sense of hope and potential.
https://nightshiftgroup.bandcamp.com

MARY CURRIE & ROBERT SOTELO have a forthcoming 7” EP coming out on Upset The Rhythm this October entitled ‘Dream Songs’. Introduced via a mutual friend, Robert Sotelo approached Mary Currie (Flaming Tunes/Officer!) about collaborating on four songs he was constructing with Glasgow based producer/sound guru Joe Howe. Performing live with a set-up that will reconfigure these four compositions into a minimalist bass, drum machine and keys dynamic the duo (and band) will also look at recreating some cuts from the Flaming Tunes era also, focusing quite heavily on a anything could happen approach.
https://robertsotelo.bandcamp.com/

ANNELIES MONSERÉ has been playing music solo since 2000. Initially the music was piano-based and mostly instrumental. Once she ‘discovered’ her voice, vocals became a main focus. The early songs had very simple structures and melodies, and the words were sparse and introvert. Her debut album ‘Helder’ (released by BlueSanct) was described as “a delicate album, complete with beautiful cracks and loads of tape-hiss.” Recorded at home in Gent between 2016 and 2023, Annelies new album ‘I Sigh, I Resign’ (Horn of Plenty) retains the intimacy of previous LP ‘Mares’ with it’s close-mic’d keyboards and vocals that capture every breath. Folk and early music are at the core of her sound but the palette of piano, organ, bass guitar, cello, synth and drum machine make it very much a document of the here and now.
https://anneliesmonsere.bandcamp.com/