Past event!
This event has already taken place. Find all current events for this promoter here.

Film: Cabaret (15)

It’s hard to believe it’s half a century since Cabaret first sashayed into cinemas:

0	ASHBURTON: Arts Centre
P	Friday 29th November, 2024
N	7:00pm

Event information

Cambridge University student Brian Roberts arrives in Berlin in 1931 to complete his German studies.

Without much money, he plans on making a living teaching English while living in an inexpensive rooming house, where he befriends another of the tenants, American Sally Bowles. She is outwardly a flamboyant, perpetually happy person who works as a singer at the decadent Kit Kat Klub, a cabaret styled venue. Sally’s outward façade is matched by that of the Klub, overseen by the omnipresent Master of Ceremonies.

Sally draws Brian into her world, and initially wants him to be one of her many lovers, until she learns that he is a homosexual, albeit a celibate one. Among their other friends are his students, the poor Fritz Wendel, who wants to be a gigolo to live a comfortable life, and the straight-laced and beautiful Natalia Landauer, a Jewish heiress. Fritz initially sees Natalia as his money ticket, but eventually falls for her.

However, Natalia is suspect of his motives and cannot overcome their religious differences. Also into Sally and Brian’s life comes the wealthy Baron Maximilian von Heune, who has the same outlook on life as Sally, but who has the money to support it. Max is willing to lavish his new friends with gifts and his favors. Around them all is the Nazi uprising, to which they seem to pay little attention or care. But they ultimately learn that life in all its good and particularly bad continues to happen to them and around them.

92% Tomatometer at Rotten Tomatoes

Starring Liza Minelli and Michael York

“It’s hard to believe it’s half a century since Cabaret first sashayed into cinemas: in look, sound and sensibility, it still feels fresh and daring, expanding the possibilities of what musicals can do and say at every turn.” Guy Lodge, Critics Circle

“It repeatedly castigates political complacency and boasts one of the most chilling camera movements in cinema history..” The Times