Virginia Kettle's Rolling Folk at The Coffee Stop
Presented by: Merry Hell| 0 | LEIGH: The Coffee Stop (info) |
|---|---|
| P | Sunday 9th February, 2025 |
| N | Door time: 2:00pm Start time: 2:30pm |
| . | All ages |
| C | Music - Folk/blues/world |
Event information
A special Matinee Concert with limited tickets - previous visits have been sell outs - so if you want to come along, not is your chance!
Virginia Kettle is the very heart of the multi award-winning folk-rock band Merry Hell. Her songs, spirit and energies have helped drive the band ever upwards, giving a significant outlet to her creativity, providing anthems such as Bury Me Naked, which had 20,000 fans swaying in a Cropredy field, as well as irresistible dancing tunes, and slices of wry humour as seen in ‘VIOLET’, her solo tour-de-force during the band set, where she often forgoes the need for amplification and wanders freely among the audience. Her solo album ‘No Place Like Tomorrow’ was a critical and popular success, hitting the heights of No.1 in the Amazon Folk Charts within days of its release.
ROLLING FOLK
As a prolific writer of songs, Rolling Folk gives Virginia the chance to share a variety of songs not included in Merry Hell’s sets. It is not a replacement for the band, but an additional outlet for her creativity and energy. Offering the same level of songwriting excellence as Merry Hell, but a different, more intimate feel, plus additional musical explorations, Rolling Folk surrounds Virginia with a fabulous and interesting selection of players, particularly multi, multi-instrumentalist Chris Lee, (Full House, Time Bandits, Family Mahone, Galleon Blast, Rad Co., etc, etc etc) and percussionist, whistle player and flautist, Mark Wooley (Ade Edmondson's Bad Shepherds, Full House, session master and more) and more recently ace fiddle player Clare ‘Fluff’ Smith, again a (young) veteran of numerous projects, including a stint with The Incredible String Band. Add in Virginia’s bandmate and husband John, all giving breadth and depth to her musical and lyrical visions. She has been described by Folk North West magazine as ‘The best thing to happen in British Folk for years’ and who are we to argue?
