Weston Olencki & Laura Cocks / Red Brut / Murray Royston-Ward
Presented by: Rammel Club| 0 | NOTTINGHAM: The King Billy (info) |
|---|---|
| P | Tuesday 18th February, 2025 |
| N | Door time: 8:00pm Start time: 8:15pm |
| . | 18 and over |
| C | Music - General |
Event information
Weston Olencki & Laura Cocks
Weston Olencki is a composer & trombonist based in Berlin who mostly doesn't play the flute. Laura Cocks is a flutist based in New York City who works in a wide array of environments as a performer of experimental music. Through various deconstructions of the instrument and years of friendship, they pull uncanny resonances and intense spectral saturation from these modest means.
https://hideousreplicalabel.bandcamp.com/album/music-for-two-flutes
Red Brut
Red Brut is the artistic alias of Dutch artist Marijn Verbiesen, who recently moved to Groningen and has been a vital force in Rotterdam's art scene. Her work reveals a particular sensitivity to everyday sounds, the soundscapes of cassette music, musique concrète, and spontaneous sound collage, combining these elements into a unique and truly personal avant-garde expression. This expression is present in various forms, in a wave of releases that began with limited-edition underground cassette releases in the mid-2010s and culminated in her two full length albums, "Red Brut" (2018) on the Belgian label (K-RAA-K)³ and "Cloaked Travels" (2020) on the Finnish labels Lal Lal Lal and Ikuisuus. Her third album “On Bare Ground” is released on November 22, 2024 by the labels Coherent States (Greece), Dead Mind Records (Netherlands), and Econore (Germany). In addition to her career as Red Brut, Marijn is a member of the free improv/weirdo electronic pop duo Goldblum and before in the experimental no wave/noise trio Sweat Tongue.
https://redbrut.bandcamp.com/
Murray Royston-Ward
Various commitments and hitting your mid-forties, for me at least, has meant music making has often taken a back seat. This makes it hard to know how to describe what it is that I actually do, creatively, anymore. What I can say is that I’ll be trying to gather several loose threads of practice together and see if I can weave them into something new. This will involve drum feedback, it’ll be largely improvised, and there’ll probably be some DIY circuits and piles of junk; there may even be some goofball shenanigans.
https://thehouseorgan.xyz
https://steepgloss.bandcamp.com/album/nobsrine-3fold
